Botanical

A warm cream plain with a subtle woven texture. Coordinates with Forage Cream, or works independently as a quiet, versatile ground.

A soft mint plain with a subtle woven texture. Coordinates with Forage Mint, or works independently as a cool, restful ground.

A deep mustard-olive plain with a subtle woven texture. Coordinates with Forage Olive, or works independently as a rich, earthy ground.

A dark burgundy plain with a subtle woven texture. Coordinates with Forage Burgundy, or works independently as a warm, dramatic ground.

Dark burgundy ground with the same trailing stems and seed heads. Dramatic and warm, with the cream and gold details standing out clearly.

Deep mustard-olive ground with the botanical motifs in cream and berry tones. The richest colourway - the detail rewards close attention.

A wild botanical composition on a soft mint ground. Cooler and lighter, with the foliage reading more prominently against the pale base.

A full palette of botanical detail on a warm cream ground. The mix of berry clusters, daisy forms, and trailing stems reads like a field pressed onto cloth.

A medallion ogee on a soft sage ground, in blush and gold. The same structure as Kashmere, read in a lighter, more delicate palette.

A small floral damask on cream, in rose, teal and gold. Traditional in structure and restrained in palette, it coordinates easily with the more detailed designs in the collection.

A leaf and feather sprig on white, in teal and gold. Clean and open, with a simplicity that makes it one of the most versatile patterns in the set.

A small tulip damask on white, in blush, teal and gold. The scale is intimate and the repeat precise -- a pattern that reads as quietly as it does boldly.

A large full-bloom floral damask on cream, in rose and slate. Generous in scale and detail, with a quiet formality to the composition.

An elephant and floral stripe repeat on a dusty pink ground. The elephants are caparisoned and stylised, set among scattered florals in teal and gold.

A medallion ogee on a blue-grey ground, in rose and gold. The repeat has the weight and rhythm of a traditional Kashmiri shawl pattern.

A delicate foliage and floral sprig on white, in soft rose, gold and green. Airy and light, with a freshness to the palette.

A geometric tile repeat on teal, with a floral centre to each unit. The structure is architectural, the detail botanical - the two sit easily together.

A dense floral chintz on a deep teal ground, with rose blooms and trailing foliage. Rich in detail, with the full-coverage character of a classic Indian garden print.

A loose foliage sprig in gold and teal on cream. Light and open, with the hand-drawn quality of a traditional Indian resist print.

A large medallion damask in blush and rose on a warm pink ground. Layered and ornate, with a softness that keeps the pattern liveable rather than heavy.

A symmetrical tulip damask on a deep teal ground, with rose and gold detailing. Structured and precise, with the balanced formality of Indian block-print textiles.

Bouquet of Flowers (1680) by Anonymous (Northern Netherlands) brings the feeling of wildflowers gathered from a hedgerow and brought indoors. Morning glories, celosia, cornflowers, violas and a full-petalled pink rose sit lightly against a cream ground in a composition that suits intimate rooms -- a bedroom, a dressing room, a reading nook. The muted gouache palette gives the wallcovering a softly faded quality that sits equally well in a heritage interior and a contemporary one.

Grass and flowering clover in close-up, the world rendered by Jac van Looij with the unhurried attention of someone who has stopped to look properly. Blooming Clover (c.1897) is held in the Rijksmuseum, Amsterdam, and makes for a fresh, nature-rooted wallcovering panel that brings the gentle energy of a summer meadow into any interior.

Petals and leaves overlapping in soft, layered watercolour, Branch of Purple Lilacs by Maria Geertruida Barbiers-Snabilié captures one of the most evocative of garden blooms with a lightness and exuberance that fills the composition with life. Held in the Rijksmuseum, Amsterdam, its soft purple tones and airy form make for a delicate and light-filled wallcovering panel.

Dahlias in full bloom, petals upon petals, rendered in soft watercolour and pencil with the quiet discipline of the botanical illustrator's art. Dahlias by Willem Hekking is held in the Rijksmuseum, Amsterdam, and makes for an elegant, light-filled wallcovering panel with a pale ground and rich floral detail.

Originally designed to decorate a room as an overdoor panel, this lush arrangement of tulips, peonies, violets and flowering branches by an unknown 18th-century Venetian artist comes full circle as a contemporary wallcovering. Flowers is held in the Rijksmuseum, Amsterdam, and brings an abundant, loosely painted bouquet in warm Venetian tones to any wall.

Carnations, violets and dahlias in a quiet, elegant arrangement, painted with the meticulous attention of a long tradition of Dutch botanical art. Still Life with Flowers by Georgius Jacobus Johannes van Os is held in the Rijksmuseum, Amsterdam, and makes for an understated and refined wallcovering panel with warm tones that suit both classic and contemporary interiors.

An exquisite arrangement of roses, poppies, irises, carnations and bindweed, each from a different blooming season, painted with extraordinary precision in 1716. Still Life with Flowers on a Marble Tabletop by Rachel Ruysch is held in the Rijksmuseum, Amsterdam, and makes for a refined and quietly spectacular wallcovering panel.

An impossible bouquet of tulips, anemones, roses and carnations, including rare striped varieties once worth a fortune during tulip mania. Floral Still Life (1639) by Hans Bollongier is held in the Rijksmuseum, Amsterdam, and makes for a dramatically rich and historically layered wallcovering panel with a deep background and vivid, luminous blooms.

Roses, carnations, wheat and wildflowers in a glass vase, every petal and insect observed with meticulous care. Still Life with Flowers in a Glass Vase (c.1650-1683) by Jan Davidsz. de Heem is held in the Rijksmuseum, Amsterdam. As a wallcovering panel, it brings centuries of painterly craft and botanical richness to any wall.

Scattered forget-me-nots and a wandering butterfly, rendered in soft watercolour on a deep cobalt ground. Bold and striking.

Scattered forget-me-nots and a wandering butterfly, rendered in soft watercolour on a muted sage ground. Soft contrast, garden feeling.

Scattered forget-me-nots and a wandering butterfly, rendered in soft watercolour on a cool powder blue ground. Light and airy.

Scattered forget-me-nots and a wandering butterfly, rendered in soft watercolour on a warm linen ground. Delicate and unhurried.

The blou sporrie repeat in soft lavender and gold on a warm mustard ground. Bold in colour, botanical in character. Printed on our premium fabric-based wallcovering.
Available in additional colourways.

The blou sporrie repeat in soft lavender and gold on a tonal lilac ground. Gentle in palette, considered in scale. Printed on our premium fabric-based wallcovering.
Available in additional colourways.

A scattered floral repeat of the Thunbergia, known locally as blou sporrie, in soft lavender and gold on an ivory ground. Painterly in detail, light in feel. Printed on our premium fabric-based wallcovering.
Available in additional colourways.

The Gloriosa superba repeat in warm coral and green on an antique gold ground. Rich in tone, warm in presence. Printed on our premium fabric-based wallcovering.
Available in additional colourways.

The Gloriosa superba repeat in warm coral and green on a rich copper ground. Bold in colour, painterly in character. Printed on our premium fabric-based wallcovering.
Available in additional colourways.

A painterly repeat of the Gloriosa superba, Namibia's national flower, in warm coral and green on an ivory ground. Loose in brushwork, considered in scale. Printed on our premium fabric-based wallcovering.
Available in additional colourways.

A scattered botanical repeat of the mopani leaf in delicate linework. Muted olive on warm cream, bringing something of the Namibian bushveld indoors without overstating it. Printed on our premium fabric-based wallcovering.
Available in additional colourways.